This continued exploration of sculptural work reflects a deepening in my practice . Constructed from paper fragments, thread, wire, and ephemera, these pieces examine how memory behaves when untethered from a fixed origin, yet persists in its appearance.

Rather than reconstructing narrative or restoring wholeness, each form engages the fragment as a structure in itself. They lean, tremble, hold but never fully settle.

At their core is a concern with rememory . They press into the present through material, through gesture, through what remains. These sculptures extend an ongoing inquiry into how memory lives inside the archive and how it returns — altered, partial, but still alive.