This continued exploration of sculptural work reflects a deepening in my practice — a turn toward form as a site where memory, absence, and return begin to cohere. Constructed from paper fragments, thread, wire, and ephemera, these pieces examine how memory behaves when untethered from a fixed origin, yet persists in its appearance.

Rather than reconstructing narrative or restoring wholeness, each form engages the fragment as a structure in itself. They lean, tremble, hold — but never fully settle. They are not monuments or vessels, but presences: apparitions of thought and image that ask to be witnessed, not explained.

At their core is a concern with rememory — not as nostalgia or recollection, but as a force that lingers. It presses into the present through material, through gesture, through what remains. These sculptures extend an ongoing inquiry into how memory lives inside the archive and how it returns — altered, partial, but still alive.