things that returned without name.

This continued body of sculptural work reflects a deepening in my practice and a turn toward form as a site where memory, absence, and return begin to cohere. These pieces are constructed from paper fragments, thread, wire, and ephemera, and explore how memory behaves when it is no longer stable, no longer tethered to a clear origin, but still insists on appearing.

Rather than reconstructing narrative or restoring wholeness, these forms engage with the fragment as a structure in itself. They lean, tremble, hold—but never fully settle. They are not monuments or vessels. They are presences. Apparitions of thought and image that ask to be witnessed, not explained.

At the core of these works is a concern with rememory—not as nostalgia or recollection, but as a force that lingers. One that presses into the present through material, through gesture, through what remains. These sculptures reflect an ongoing inquiry into how memory lives inside the archive, and how it returns—altered, partial, but still alive.

This series continues to evolve as a method of holding what has been lost, not in resolution, but in insistence.